In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
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继about time 后最喜欢的电影爱上了英国电影三十四岁的时候一定要再看一次这个在那以前一定要去次英国每首歌都好喜欢情节虽然俗套又猜得到哆啦a梦剧场版国语2012还是愿意耐心的看完虽然短但是会想要再看一次